Gear Diary As Movies Post a Record Summer, MPAA Reminds Us that 60% of their Income Was Stolen by Pirates! photo

This week the Hollywood Reporter announced that the movies enjoyed a record box office grab this summer:

Preliminary tallies indicate that Hollywood succeeded in scoring a record summer, posting domestic revenues of $4.39 billion to $4.4 billion from May 6 through Labor Day to narrowly beat 2009, the previous best ($4.33 billion), for an uptick of just over 1%. Last year, summer revenues came in at $4.21 billlion, putting summer 2011 ahead by more than 4%. Attendance, however, was down a slight 1% from 2010 to 2011.
Overseas, revenues are expected to reach a record-breaking $8.2 billion this summer, up dramatically from $5.8 billion in summer 2010–a 41% increase reflecting the enormous power of emerging markets including China, Russia and Brazil.

You would think that the MPAA, the organization representing all of these movie studios, would be basking in the knowledge that they found a relative sweetspot: ticket prices are fairly stable and at a point where even my kids went to several movies this year with money they earned doing odd jobs for the local youth bureau; the distribution of movies had something for everyone; and the quality of releases were solid.

Yet that isn’t what the MPAA is talking about – they are concerned with telling everyone that while they have a $40 billion business, it COULD be $100 billion except that pirates are stealing 60% of their income! Sound incredible? That is because it is what in my line of work we would call ‘statistically unsound’. Pajiba has a great dissection of this nonsense:

So according to the MPAA, piracy cost them $58 billion last year, making movie piracy a bigger industry than the GDPs of 10 American states. To put it even starker perspective, look at it this way. The film industry gets about $10 billion from the box office, and about $30 billion from the after market of DVDs, streaming, etc. So they’re claiming that piracy costs them almost two-thirds of their business. At $10 per DVD, every household in the United States would be buying an additional 50 DVDs per year if they weren’t so busy downloading. The technical term for a statistic like that is “fictional.”

I am sure that the MPAA includes secondary (and tertiary and more) economic impacts … in other words, job costs lead to other costs lead to other costs and so on. But saying that the economic impact of piracy is 1.5 times the size of your entire business? Crazy! As Pajiba says, “the MPAA has a special gift for being such enormous **** waffles about the topic that it makes you just want to go download movies, delete them, and then download them again.”

I am personally and vocally opposed to piracy, and as my kids are at that age when so many of their teen friends are building a library of music and movies based on Torrents, I am constantly reminding them to use the legal services we have and NOT to steal content. Yet I agree with Pajiba … the nonsense numbers and scare tactics from the RIAA and MPAA make me much less sympathetic to their cause.

Where do you stand on all of this?

Source: Pajiba via TechDirt

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I have loved technology for as long as I can remember - and have been a computer gamer since the PDP-10! Mobile Technology has played a major role in my life - I have used an electronic companion since the HP95LX more than 20 years ago, and have been a 'Laptop First' person since my Compaq LTE Lite 3/20 and Powerbook 170 back in 1991! As an avid gamer and gadget-junkie I was constantly asked for my opinions on new technology, which led to writing small blurbs ... and eventually becoming a reviewer many years ago. My family is my biggest priority in life, and they alternate between loving and tolerating my gaming and gadget hobbies ... but ultimately benefits from the addition of technology to our lives!
  • Peter

    Strangely enough, I didn’t go to the box office to see any movies this summer, nor have I watched them on DVD or any other method after the fact. I don’t use torrents so that’s not an issue. So add my $0 to the whole lot of money they’re not getting for their blockbusters. Totally agree that their numbers are just wrong. If someone’s torrenting a movie, they weren’t likely to pay for it in the first place. Some of those people might, but even then it would likely be a Redbox rental rather than buying a DVD so the actual sales impact would be minimal for the studios. I’d love to see the studios find a way to embrace the torrents rather than try to shut them down. Set up their own service in some way that lets people DL the digital copy over a torrent for some nominal fee. That way they get some $$$ from the torrent, don’t have to worry as much about their bandwidth, and just maybe eliminate some of that piracy they’re so concerned about.

    I’d also appreciate it if they got real with their numbers and accepted the fact that not everyone will want to see their movies. It’s far more likely that they’re seeing less profit because so many movies just aren’t worth seeing or not worth seeing at the price they’re asking.

  • Peter

    Strangely enough, I didn’t go to the box office to see any movies this summer, nor have I watched them on DVD or any other method after the fact. I don’t use torrents so that’s not an issue. So add my $0 to the whole lot of money they’re not getting for their blockbusters. Totally agree that their numbers are just wrong. If someone’s torrenting a movie, they weren’t likely to pay for it in the first place. Some of those people might, but even then it would likely be a Redbox rental rather than buying a DVD so the actual sales impact would be minimal for the studios. I’d love to see the studios find a way to embrace the torrents rather than try to shut them down. Set up their own service in some way that lets people DL the digital copy over a torrent for some nominal fee. That way they get some $$$ from the torrent, don’t have to worry as much about their bandwidth, and just maybe eliminate some of that piracy they’re so concerned about.

    I’d also appreciate it if they got real with their numbers and accepted the fact that not everyone will want to see their movies. It’s far more likely that they’re seeing less profit because so many movies just aren’t worth seeing or not worth seeing at the price they’re asking.



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