Music

Herbie Hancock learned a lot from his time with Miles Davis, musically and also about being restlessly creative. After leaving Miles band before the earth-shaking Bitches Brew era, he headed off to release his own series of classics. He had already carved a great space in modal music with his Blue Note recordings Maiden Voyage and Speak Like a Child, but then went on to record Fat Albert Rotunda and the classic Headhunters which solidified him as an all-time great in pretty much every aspect of the music. He was there at the start of MTV with the techno-funk-hip-hop-dance song…

Photo from EyeShotJazz There was a time – before the internet, no less – when I really had my finger on the pulse of the jazz world. Some of it was location – I was less than an hour from Boston, Worcester, Providence RI and the Newport Jazz festival – but some of it was just knowing where to look for new information. As the years have passed by, I found that I have been relying on many of the same sources – radio, magazines, tracing through other artists discographies – but with decreasing success in finding new music outside…

Just over a month ago I wrote about the special launch-day deal Amazon.com was having on the MP3 version of Jeff Beck’s new Emotion & Commotion CD. Over the last six weeks I’ve kept the CD on my iPod in heavy rotation. Needless to say I have found something to like in the first studio release in seven years from the 65-year old legendary guitarist. At the same time, this is also my least favorite Jeff Beck release since his early 90’s rockabilly outing Crazy Legs. Let me give a bit of background and then dig into a song-by-song review….

A few weeks ago I posted a video of Pat Metheny announcing his Orchestrion project. The video – and all of the machinery – were quite cool, but what really matters is the final product. Well, Orchestrion was released on January 26th, and I’ve had the chance to give it several listenings and separate the coolness of the technical accomplishment from the actual musical results.

Because of – or perhaps in spite of – the fact that my musical tastes fall well outside of the mainstream, I have always been suspicious of something that has become the ‘latest critical darling’, even when it is from an artist I love. In recent years I remember buying ‘River: The Joni Letters’ on release because of the artist making the recording (Herbie Hancock), his guests (Wayne Shorter, Michael Brecker, Roy Hargrove and vocalists Norah Jones, Tina Turner), and of course the subject of the tribute (Joni Mitchell). I played it a few times, since nothing really ‘stuck’ the…